Body language

Ah, another one I see a lot of new writers miss. The whole body language can add so much more to your writing. My pet peeve are all those adverbs and this can remove most, if not all of them.

So, where to start, I hear you ask. Easy. Think about the situation you’ve just put your character in. Then imagine how you’d react.

Now, I can’t cover every situation, but enough to give you a start. And, remember, most can cover more then one emotion, so please get the setting right first.

The Head Tilt – Now, this is one we all do. But why? Well, mainly when we are listening to someone and want to make them realise we are paying attention. Maybe, we are waiting for a response to a question and tilt our head with maybe a slightly scrunched up brow.

Rubbing a hand over chin or beard – The person is thinking, but is it good or evil thoughts. If he’s standing up, straight and tall, might be good. Now imagine him bending over a victim. Someone tied up. It’s way different. Add in some icy eyes and even I’m getting a chill.

Eye contact – This is a good one. If they make direct eye contact, they are trying to be dominant or are confident. Lowered and they are submitting or unsure.

Arms crossed – Your character is being defensive. Or are they? Now imagine them with slumped shoulders, moist eyes, and crossed arms It gives a completely different response. Now they are hurt, Maybe rubbing their arms as they shiver. Maybe they are spilling their heart about a bad situation or some abuse they suffered.

Tapping their fingers – Impatient. But maybe they are taping their lips for a kiss? Tapping the table in time to the music?

Nail biting – Nervousness. Does your character bite their nails all of the time? Is it no more habit? Maybe they are in a difficult situation and have just started?

Rubbing hands together – This can be a fun one. Why do you rub your palms together. cold and trying to warm up. How about we go back to leaning over a victim and have our villain run his hands together? I’d dread to think what their next move might be.

Clenched fist – Basically move away because they are angry. Probably trying not to hit someone.

Reduced body space – A confident person will like lots of space around them. It can also make you feel more confident. A person who shuffles up and reduced their own body space is feeling intimidated. If the body turns slightly to the side, it becomes more of an aggressive stance.

And last but not least, the romantic body language – Women may lick their lips, wink, walk in a sexy way.

A man may have a relaxed stance, uncrossed arms. If he crosses his legs, then he may have lost interest or nervous

Touch is very important. They might run their fingers up the other person’s arms. Run a thumb over their cheek. Brush against their interest. They can’t keep their eyes of each other.

So, there you go. It’s not always simple and you have to add in the other details to make the emotion and gesture obvious. More on that later when I discuss the emotions on their own.

Body Language, Female, Presence, Minimal, Woman, Girl

Descriptions

This is the one thing that can make or break your book, and we all hate them. Too much and the readers turn off, and too little, they vanish too. Finding the right happy middle ground can be hard going.

So, I’m going to help you along with some ways of describing things. Be it emotion, places, situations, or a person.

Today, I’m starting with eyes. Yes, eyes. They say the eyes are the soul to a person and they do show their emotion. Next time, watch a person’s eyes and gauge their emotions from them alone.

If they shine, bright, vibrate, gleaming, then they are probably happy. Moist or shimmering – about to cry but from sadness or happiness?

If they are angry, have they hardened or gone dark? Tired – the eyelids might be droopy.

Crying – puffy, bloodshot, red-rimmed, swollen.

They can be narrowed or slit, penetrating, soft, sparkly – all depending on the mood. And the description must be right.

For the shape try – almond, deep-set in the face, cross-eyed, oval, round, prominent, symmetrical, off-set.

And the colour? Blue, brown, green – yes, but isn’t that a bit bland? How about vibrate green, mahogany brown, chestnut brown, emerald green. Doesn’t that sound so much better?

How about icy? Icy blue or her eyes turned icy the moment she set eyes on him. Oh, can you imagine the room going cold around them?

Angelic – she gazed at me with her angelic eyes showing me her innocence. An innocence I was about to take. Oh, I so have to use this one in the future.

Intoxicating – The moment our eyes meet, I knew she’d drink me dry the first chance she had.

Back to dark, I love this one for eyes – When our eyes meet, I realised the trouble I might be in. The darkness in his eyes sent my heart into a shiver, like he hunted me. Or maybe – The way his eyes darkened, made me understand he’d do anything to get our child back.

So, what have you learned? Not to use the eye colour as a bland description, and how to add the emotion to their eyes. Adding their emotion brings out their feeling without all those dialogue tags. You know the ones – angerly, happy. Get rid of them all. It will tighten your writing and draw the reader in.

Eye, Watercolor, Art, Sketch

What makes a good story?

This is every authors nightmare. Getting the story and plot correct. After all, getting this rigth makes or breaks your book.

So what does it take to write your perfect story?

  1. An idea of a plot.

Every author starts with a basic idea. From this they either write a whole plot or a more simpler plot, expanding the idea as much as they need to. It’s at this stage, that the story begins to build.

2) The beginning.

Now, this bit can be a bit sticky. The start must be right to draw in the reader. Get this bit wrong and kiss that reader goodbye. They say to start with some type of action – a fight, dialogue. I admit some of mine are more narrative, but sometimes the action isn’t required right at the first line. Whatever you do, don’t start with the weather – that is always overused.

3) The middle

And you thought the beginning was hard. The middle bit is the part which must carry the reader onwards and towards the end section. The pace must be enough to keep their minds intrigued. And this is where most authors struggle. They know where to begin and where to end, but the middle? How the hell do they fill in the gap?

Think about the plot and characters. How do they fit together? Are they matched and synched? This is where you can add all the extra info you sorted out and plotted. But make sure you don’t just add all the actual plot in one go. Spread it out.

I write dark romance which touched on most taboo subjects most writers shy away from. However, there has to be quite a bit of lighter notes. So, the middle is where I have my couples learning more about each other. Dating, going out. Happiness is the key. Give them enough happy moments to bring them through the darkness, I’m going to throw at them later.

3) The end

Ah, the bit we writers enjoy the most. This is where we have been heading with all the trials our mc’s have put up with.

Whenever you have a plot, you know where it’s heading – how it’s all going to end. And this is where the magic happens. That perfect ending – no longer fits. And so the screams begin. The ending you have ploughed through the beginning and the awful middle it, doesn’t go anymore.

So, you sit and stare and rewrite the whole ending in your head. But, you also realise the ending is so much better.

The meaning of the above?

Write the book, the way you want. Simple. The rules can be broken if broken correctly. No book is better than another – each must draw the reader in and readers like all sorts of things.

Board, Writing, Chalk, Enlightenment

Why Indie Publish

I get asked this a lot. Why did I self-publish?

The main reason was because I get to keep full control of my book. Yes, I have to hire an editor, cover designers, find arc readers – all done by publishers if traditionally published, but I don’t have someone telling me to change the story, give the characters different names. I even know authors who are told to change the book’s name.

My editor is brilliant. I can fly ideas across her. She points out plot faults and problems. Makes comments on what needs changing, but at the end of the day, I make the final decision – usually I accept them all, she knows what’s she doing. Believe me, editoring isn’t easy.

Covers, which I’ve done myself, are now professionally done, apart from one series and that might change. The designer’s I use know what they are doing and the covers you’ll see coming through soon are great. If it’s not premade, they listen to what you want.

And the title remains the same. Characters I’ve grown to love aren’t changed. The book I put out there is the novel I wanted too. Just a hell of a lot better than my first draft.

I’m not dishing traditionally published books, they are just as good. But the time for Indie authors is growing. Give us a go. You can approach us just as easy, we don’t bite. We’ve just a friendly bunch who have stories to tell and will fight to do it.

NEWS

Yeah! I’ve sent Falling for Katie through to Amazon review. Release date will be 19th April 2019 – that’s Good Friday. My Easter present to you all.

So, how about a cover? All done too.

This romantic suspense will keep you turning the pages.

Running a business isn’t as easy as it appears, which is something Katie Gowen figures out when she opens a flower nursery.

While on a delivery she’s snowed in at the hotel and must delay her return journey. When she can leave she crashes. Found with amnesia, she is held against her will. With no leads the police are stumped, and her parents call in a private investigator.

Finlay Gallach never wanted to return to Gretna. Bad memories still plague him, and he still carries the scars from a painful childhood. However, as he opens the email, which asks him to help with Katie’s case, his heart pounds at the photo of the woman. With no choice but to return, Finlay realises his own heart cannot be saved.

Can Katie be saved? Will her memory return and what about the boyfriend she already has?

Read their story as it unfolds with twists you won’t see coming.

Katie - with tag_300dpi