Body language

Ah, another one I see a lot of new writers miss. The whole body language can add so much more to your writing. My pet peeve are all those adverbs and this can remove most, if not all of them.

So, where to start, I hear you ask. Easy. Think about the situation you’ve just put your character in. Then imagine how you’d react.

Now, I can’t cover every situation, but enough to give you a start. And, remember, most can cover more then one emotion, so please get the setting right first.

The Head Tilt – Now, this is one we all do. But why? Well, mainly when we are listening to someone and want to make them realise we are paying attention. Maybe, we are waiting for a response to a question and tilt our head with maybe a slightly scrunched up brow.

Rubbing a hand over chin or beard – The person is thinking, but is it good or evil thoughts. If he’s standing up, straight and tall, might be good. Now imagine him bending over a victim. Someone tied up. It’s way different. Add in some icy eyes and even I’m getting a chill.

Eye contact – This is a good one. If they make direct eye contact, they are trying to be dominant or are confident. Lowered and they are submitting or unsure.

Arms crossed – Your character is being defensive. Or are they? Now imagine them with slumped shoulders, moist eyes, and crossed arms It gives a completely different response. Now they are hurt, Maybe rubbing their arms as they shiver. Maybe they are spilling their heart about a bad situation or some abuse they suffered.

Tapping their fingers – Impatient. But maybe they are taping their lips for a kiss? Tapping the table in time to the music?

Nail biting – Nervousness. Does your character bite their nails all of the time? Is it no more habit? Maybe they are in a difficult situation and have just started?

Rubbing hands together – This can be a fun one. Why do you rub your palms together. cold and trying to warm up. How about we go back to leaning over a victim and have our villain run his hands together? I’d dread to think what their next move might be.

Clenched fist – Basically move away because they are angry. Probably trying not to hit someone.

Reduced body space – A confident person will like lots of space around them. It can also make you feel more confident. A person who shuffles up and reduced their own body space is feeling intimidated. If the body turns slightly to the side, it becomes more of an aggressive stance.

And last but not least, the romantic body language – Women may lick their lips, wink, walk in a sexy way.

A man may have a relaxed stance, uncrossed arms. If he crosses his legs, then he may have lost interest or nervous

Touch is very important. They might run their fingers up the other person’s arms. Run a thumb over their cheek. Brush against their interest. They can’t keep their eyes of each other.

So, there you go. It’s not always simple and you have to add in the other details to make the emotion and gesture obvious. More on that later when I discuss the emotions on their own.

Body Language, Female, Presence, Minimal, Woman, Girl

Fareious Brothers

Did you know all 3 books in the Fareious trilogy are now released?

No? Well, they are.

Meet James Farmer – the eldest brother who ended up changing his name. A billionaire playboy who’s about to meet his match. A woman who’ll get under his skin during a life-threatening situation, that neither think will survive. Yet, they do. But things get worse when James has to return to his past to keep her safe. A bigger threat appears and he’s not sure they can survive.

Next, we meet Hunter Fareious – the baby of the family. Having lost his love many years ago, he travels to Birmingham to watch over her from a far. But when she’s left injured after being targeted, she must begin to trust the one man who’s brought her warmth back. Yet, when both are abducted James bring in a elite bunch of mercenaries to find them. Can they?

And not forgetting the middle brother. With no soul-mate he’s their last chance at ending the threat. However, they never expected that to change. Now he has a woman in his life with a dark past. One which is about to haunt them and destroy all three couples. Can the threat be ended? Can they all live in peace?

These books are hot and steamy and have a BDSM subplot. All contain a full psychological romantic suspense story and are full length novels.

What type of Romance to Write

Part 3 –

Erotic

A lot of readers place erotic and porn in the same class. It’s not.

Erotic books contain sex, yes of course they do. Won’t be erotic otherwise but they have a plot and story-line. Strong characters bring everything together. Porn only deals with the act itself. No one cares about the plot or the characters. They only look for one thing.

So, where to begin? Like any other story start with the plot or characters. I write dark romance, so my latest book maintains that but contains a BDSM element. (Fareious trilogy). However, you can write in any sub-genre. Then cover the sexual part. Do you want to go soft or hard – go with whatever you are happy with writing. Believe me, it’ll show if you aren’t comfy writing it and can make any great story poor.

Oh, and sex positions. Make sure they are possible. Nothing worse than reading a book and trying to figure out how they did it. Readers like their genre and erotic readers will know. And bye, bye readers.

Now, those sex scenes. Don’t be repetitive. Make them steamy and above all else, don’t head-hop. Stay with one POV. Readers will put the book away and not pick anymore of your’s up. Remember sex is different for everyone. In normal romances the sex can be steamy, but you want erotic. So, it needs to be much, much more steamy.

And also, it’s not all about love with erotica. It can just be about the raw sex. A couple who doesn’t want love, just to enjoy each others bodies. Now, it could turn to love, nothing to stop that happening but build up the tension. If it’s pure raw sex on one page, don’t make the next scene love. Add some grip to your story. Does the female want love but the man doesn’t? Are one of them being blackmailed to control the other? Oh, there are lots of ways this could go. Think outside of the box and surprise those readers.

Back to the characters. Develop them well. Make your readers love them and beg for them to get together. Don’t just get them in bed and then end the story. Readers like to feel part of the book. My Scottish stories are romance but not erotic but my readers have said they want to jump into the book, save the heroine and punch the baddie. That should be standard in any book.

The end. Now, it’s still a romance. Your readers want that happy ending. If you don’t give it, give a reason. Does the man being blackmailed decide he’s had enough and gets killed while saving his woman? Does the woman vanish in a cliffhanger ending – make sure you make it clear there’s a book two. Do they finally decide they really do love each other?

Now go and plot out your idea. Make it strong, believable and you might just get a best seller.